Matt Jacobsen does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

“This is . I’m Ayla and I’m Calla. Back in May–we talked to two sisters with a love for scary storytelling. I asked the girls, “Why do you love scary stories?” Ayla replied, “Cause it’s in our blood.” ...

Click to share on X (Opens in new window) X Click to share on Facebook (Opens in new window) Facebook Scary Stories to Tell in the Dark was based on Alvin Schwartz’s iconic collection of short horror ...

Eliza is a radio presenter, writer, die-hard Doctor Who fan and a complete tea addict. She loves heavy metal, horror movies and cats. Inspiration for a good horror movie can come from anywhere. There ...

It's spooky storytelling season. We checked in with three Louisville teachers — at the elementary, high school, and college levels — about some of their favorite scary stories to share with their ...

(MENAFN- The Conversation) Sourcing family friendly frightening fiction can be a bit challenging. That said, while straightforward horror texts rarely serve family audiences, the gothic is a mode of ...

Taylor Hunsberger is a culture writer, poet, and children’s librarian at the East Flatbush branch of the Brooklyn Public Library. She has presented work on the topic of children’s horror literature at ...

Seeing the cover of Alvin Schwartz’s Scary Stories to Tell in the Dark (1981) has a powerfully Proustian effect on me: my stomach drops a little bit and a shiver of twinned fear and delight runs down ...

Luc Haasbroek is a writer and videographer from Durban, South Africa. He has been writing professionally about pop culture for eight years. Luc's areas of interest are broad: he's just as passionate ...

(MENAFN- The Conversation) In Alfred Hitchcock's Psycho (1960), Marion Crane looks up at the house looming in the night sky behind the Bates Motel, its hybrid New England/Victorian style oddly out of ...

In Alfred Hitchcock’s Psycho (1960), Marion Crane looks up at the house looming in the night sky behind the Bates Motel, its hybrid New England/Victorian style oddly out of place. We’re left with the ...