The exhibition at Lévy Gorvy Dayan, organized with Mary Boone, offers an impressive if incomplete portrait of the city’s art ...

To paraphrase Margaret O’Brien in Meet Me in St. Louis: Wasn’t I lucky to come of age in my favorite city? For one thing, my impressionable undergraduate years fell during J. Hoberman’s tenure as lead ...

Twenty reclining female nudes sprawl across three monumental canvases, painted in an array of unusual fleshy hues such as deep blue, teal, moss green, and mauve pink. The intermingling of platonic and ...

Underground films, transvestites, hippies and freaks, businessmen and secretaries checking out the other side of life, plastic people and people wearing plastic clothes. Smoking the pin joints of ...

In the world of urban planning, it's not every day that an opportunity comes along to correct an historic mistake. New York can never bring back the original and grand Penn Station, which was allowed ...

Scene One Theatre in Jefferson City is taking guests back to New York City in the 1960s during its upcoming production. "The Odd Couple" follows two men and their struggles in sharing an apartment.

Before planners and property developers turned Manhattan into a sterile playground for the wealthy, it was the site of extraordinarily creative art and music scenes. Critic J. Hoberman shows us how ...

Released in 1969, “Midnight Cowboy” is often viewed, along with “Easy Rider,” as the beginning of Hollywood’s second golden age: the seventies. As is well-known, the movie focuses on two outcasts — ...

ED RUSCHA (B. 1937) Standard Station, Ten-Cent Western Being Torn in Half signed, titled and dated '"STANDARD STATION, 10¢ WESTERN BEING TORN IN HALF" 1964 Edward J. Ruscha' (on the stretcher) oil on ...

As a kid in Manchester, little Moz couldn't connect to any of the bloated music of the hippie scene, but saw the future in a crude, rude new outfit out of NYC.