The theme is broad—it’s about questioning the very notion of humanity,” curator Thiago de Paula Souza told Observer.

Until recently, the Museu de Arte de São Paulo’s programming has been tightly packed and spatially constrained.

When Rosario Güiraldes arrived in New York more than a decade ago, she thought she’d never leave.

Wearing masks and metallic gloves, the dancers used their hands to mimic machine-like movements, which they call “tutting.” ...

To mark the France-Brazil 2025 season, which takes place in France from April to September, and the 200th anniversary of ...

The second installment of our Brazil series presented by Eve Jackson examines the country's powerful cinematic legacy and its role in confronting the nation's complex political history. Shot in Rio de ...

When Chinese automaker BYD Co. announced plans to build a massive factory in the hardscrabble city of Camacari, in Brazil’s ...

The Brazilian DJ played the Sahara Tent with 50 dancers from Urban Theory and welcomed Ava Max for a pair of songs.

Barrington Stage Company's Playwright Mentoring Project has given local teens an outlet to generate plays out of their lived ...

Brazil will prioritize trade negotiations with the United States to address the tariffs imposed by President Donald Trump as ...

Florida Grand Opera’s Carmen offers layers of legacy, marking the 24th production for mezzo soprano Ginger Costa-Jackson and ...

This year is the 40th anniversary of Oolite Arts, which was founded by late potter and visionary Ellie Schneiderman. The ...