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Dante’s vision of the Afterlife in The Divine Comedy influenced the Renaissance, the Reformation and helped give us the modern world, writes Christian Blauvelt.
Poet Mary Jo Bang has spent the last two decades translating the three books of Dante's Divine Comedy. Purgatorio is the final installment and continues her style of lively, lyrical translation.
The Florentine poet’s richly detailed vision of a journey through hell and beyond has inspired other writers and artists for centuries.
Dante and Virgil meet Sapia amongst the envious, Second Terrace of Purgatory, engraving by Gustave Dore in the 1869 edition of Dante's "Divine Comedy" (Getty Images/DEA/BIBLIOTECA AMBROSIANA) ...
New Dante's Divine Comedy translation by Michael Palma Dante Alighieri is one of the pillars of Western literature. And his texts have been translated into English dozens of times.
Dante Alighieri was born 750 years ago this week in Florence. In spite of our distance from medieval theology, Dante's allegorical journey through sin and salvation known as the Divine Comedy ...
The Divine Comedy is a 14th century poem that has never lost its edge. Dante Alighieri's great work tells the tale of the author's trail through hell — each and every circle of it — purgatory ...
In “The Divine Comedy,” the 14th-century poem by Dante Alighieri that is one of the foundational works of Western literature, the Roman poet Virgil serves as Dante’s guide through Hell and ...
The structure of The Divine Comedy focuses on how what we are reading came to be; that is, Dante’s narrator ostensibly takes a retrospective view of his personal physical, moral and spiritual ...
Dante Alighieri is one of the pillars of Western literature. And his texts have been translated into English dozens of times. With two new translations of his work out now, it's worth asking ...
Dante’s comedy is one of the most widely-translated and published works of all time. Written in 1300, it deals with themes which are still relevant today, and which makes today’s generations ...
The American modernist Marianne Moore once wrote that poems are imaginary gardens with real toads in them. This applies nicely to Dante’s “Divine Comedy.” Its garden is the poem’s ...
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